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10 Ways To Introduce Conflict In Dialogue

10 Ways To Introduce Conflict In Dialogue


Writers Write creates writing resources for writers. This post offers you 10 ways to introduce conflict in dialogue.

Conflict In Dialogue

Characters meet resistance through conflict with other characters. This does not mean they have to physically fight. Dialogue plays a big part in conflict. Writers need to learn how to introduce conflict in dialogue.

The narrative of a story defines the plot and description sets the scene. Dialogue shows us how characters react to events in their own words. It shows us what they’re willing to tell other characters and what they need to hide. Dialogue is an effective way to increase conflict, tension, and suspense in your book.

Here are 10 ways to introduce conflict in dialogue.

Your characters can:

  1. Threaten
  2. Tease
  3. Argue
  4. Wheedle
  5. Cajole
  6. Insist
  7. Taunt
  8. Demand
  9. Interrupt
  10. Lie

Great dialogue allows a character to respond to the character causing conflict. It also allows a character to create conflict. Tension increases when a writer builds doubt and uncertainty with a character’s words. You should use dialogue to show who your characters really are.

[Suggested reading: 10 Dialogue Errors To Avoid At All Costs]

Other ways to introduce conflict outside of dialogue include making a character:

  1. Wait
  2. Defend
  3. Lose
  4. Search
  5. Flee
  6. Manipulate
  7. Avoid
  8. Seduce
  9. Chase
  10. Fight

Conflict in dialogue should be supported by these other conflicts. In fact, these conflicts will make your characters react, think, plan, and act. This will lead to dialogue between the characters.

TOP TIP: If you want to learn how to write a book, join our Writers Write course in Johannesburg or sign up for our online course.

by Amanda Patterson

© Amanda Patterson

If you enjoyed this article, you will love:

  1. The 12 Question Fiction Writing Conflict Test
  2. How To Write Great Dialogue
  3. The 3 Most Effective Types of Inner Conflict
  4. The 3 Most Effective Types of Inner Conflict
  5. The Antagonist As A Literary Device

This article has 0 comments

  1. dee

    looking forward to future advice

  2. Max Tomlinson

    Good article – dialogue for conflict, narrative for exposition. Never use dialogue to ‘tell’ a story. Another rule I follow is to use indirect dialog whenever possible, to create a subtext and nuance a character, unless direct dialog can ramp up the tension e.g. used in a situation where one would never hear direct dialog.

  3. Writers Write

    Thank you for the extra tips, Max.

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