Writers Write shares writing tips and writing resources. In this post, on the anatomy of a scene, we discuss everything you need to know about writing a scene.
In my first post in this series on writing scenes and sequels, I covered 10 important things to remember about these storytelling devices. In today’s post, I am going to cover the anatomy of a scene.
“In many cases when a reader puts a story aside because it ‘got boring,’ the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.” ~Stephen King
We need to make sure that we have enough movement in our stories. The easiest way to do this is to include the correct number of action scenes (a.k.a scenes) in our novels.
Scenes are generally 1200-1500 words long.
The Anatomy Of A Scene
A scene can be divided into three parts:
The action scene is where the viewpoint character tries to achieve a short-term goal. The character believes this scene goal will help him or her reach, or come closer to reaching, his or her overall story goal.
Every action scene should involve another character who has a reason to oppose the viewpoint character. Other characters can also be present. [Suggested reading: The 4 Main Characters As Literary Devices]
Overall Story Goal: Hector wants to leave his wife and start a new life.
Scene Goal: Hector needs to get to the airport to stop his mistress from going home.
In trying to reach the scene goal, the viewpoint character must meet with resistance, which leads to conflict with another character.
This resistance could include:
Scene Conflict: Hector has to drop his teenage daughter at home first. When he picks her up, she is late. They get into an argument and his daughter finally tells him why she was late.
The character must experience a failure in one of the following ways:
- He or she fails to achieve the scene goal.
- He or she fails to achieve the goal and learns of another problem that makes things worse.
- He or she achieves the scene goal but learns of another problem that must be dealt with.
This failure must seem like a natural consequence of his or her efforts. It should not be coincidental, for example, someone who is arguing with a neighbour cannot lose the fight because a storm comes up and forces them inside.
Scene Failure: Hector fails to get to the airport and he finds out that his daughter has a life-threatening illness. (Option 2 of the failures)
Most action scenes are followed by another and another. Only if the action scene has a devastating result should we move to a reaction scene or sequel.
Look out for next week’s post: The Anatomy Of A Sequel
Click here for your scene templates
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