10 Essential Tips for Writing Antagonists

10 Essential Tips for Writing Antagonists

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© Amanda Patterson

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This article has 17 comments

  1. tsebo

    I want to write a book but I don’t know where to start,please help

  2. Laura Athena

    In my story the protagonist *becomes* the antagonist. Through logical means (circumstances, events and difficult moral choices). And by slow degrees they end up putting in danger everything they ever stood for.

  3. Tim King

    The thing is, some IMO excellent stories break these rules. For example (off the top of my head), the villain in Holly Lisle’s I See You is a shallow, stereotypical thriller psycho-villain. He has to be, because otherwise I’d sympathize with him instead of being terrified for the protagonist. -TimK

  4. Emily

    This is so important. I recently blogged about it in my regular tips section. Antagonists can be such rich and fascinating characters, it’s so important to give them the time they deserve.

  5. Brooke

    Can the antagonist be more than one person? For example … for my character, the antagonists are those that she ends up in relationship with, as if she chooses to be in relationship with people who undermine her personal goals…

  6. Writers Write

    You should have one main antagonist. He or she may have ‘henchmen’ who help prevent the protagonist from achieving his or her story goal.

  7. christiane

    I’ve broken an even more important rule than that: I don’t have one central protagonist! It’s more like A Midsummer Night’s Dream.

  8. Kathy Steinemann

    Thanks, Amanda. It’s refreshing to read a concise post that doesn’t ramble.

    “Never create an antagonist who exists merely to obstruct the lead.”–I’ve made a mental sticky note of this tip.

  9. Patricia Koelle

    Having an antagonist is fine most of the time but it is not a rule and not a necessity. I wrote a novel with no antagonist. It was on place one for a week on Amazon Germany and is still in the top ten. It has 100 5-Star-reviews. I wanted to show it can be done, and it worked.

  10. Mariah Porter

    I disagree with number 3. Man vs. Man is not the only conflict out there, and there are many great books out there where it is Man vs. Self, Man vs. Nature, Man vs. Technology, and etc.

  11. Austin

    Number 4 isn’t great advice. If you only make your antagonists a single human being, you’re severely limiting yourself. Why is it a bad thing to write about someone trying to survive an earthquake? What’s so wrong with a story about a person trying to pull themselves out of poverty? Neither of those ideas need a central, human antagonist to work beautifully.

  12. Dellani Oakes

    Excellent article. I love a good antagonist. One of my favorites in literature, is Iago in Othello. In his mind, he was justified in taking down Othello because he felt he’d been wronged. He had a clearly defined motive and methodically pursued this goal. It didn’t matter that he died, he had the satisfaction of knowing he’d been successful.

  13. Danny Adams

    I’ve always found that #6 can bring the strongest dramatic possibilities. Especially when the antagonist doesn’t necessarily start out that way.

  14. Alex

    Can a character be an antagonist only because he/she is keeping the protagonist from achieving his goal? Even when he/she does not actually do anything to cause trouble for the main character?

  15. Writers Write

    If the antagonist keeps the protagonist from a goal, he or she is surely causing trouble?

  16. Alex

    If its not intentional, then?

  17. Writers Write

    If your protagonist is so weak that he or she is challenged by somebody who does things unintentionally, you may have chosen the wrong protagonist for your story. Readers don’t like protagonists who are victims.

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